The project was developed on a remarkable site, still preserving remnants of the Atlantic Forest, in one of the most beautiful areas of Rio de Janeiro: Cosme Velho, neighboring Christ the Redeemer and located within a gated community.
The client—a screenwriter and writer, and owner of a major publishing house—told us he had a choice to make: either the plot and the house, or a sailboat. He chose the plot—so beautiful—and the house.
The house was conceived through the preservation of two stone walls, true relics from the 19th century, as well as a small section of tiles from the same period, reused as flooring in the powder room. The powder room was designed precisely on the spot where the tiles were found, allowing the existing stone walls and tiles to define the building’s footprint.
The sailboat became the conceptual starting point of the project, which was designed and built using a steel structure and exposed concrete. The layout takes advantage of the site’s natural topography, existing terraces, and stone walls. In essence, the building is composed solely of structure, walls, and glass, with no paint, finishes, or ornamentation—an eviscerated structure.
Thus, we built our boat-house in the middle of the forest, crowned by a skylight that frames Christ the Redeemer.
Perfection.
Rio de Janeiro, Brazil
Ângela Roldão is an architect and urban planner, graduated from Universidade Federal do Rio de Janeiro (UFRJ). With a highly diversified portfolio encompassing both architecture and interior design, she has achieved international recognition, particularly for projects featuring steel and reinforced concrete structures. The “Glass House,” as the residence in Casa Branca (MG) became known, was published in numerous international websites and books. Her built work spans Rio de Janeiro, São Paulo, Bahia, Espírito Santo, Punta del Este, Miami, Brussels, Paris, London, Lisbon, and several cities in Germany.
Ângela Roldão Arquitetura
Casa Digital