The scenography of the play, based on Brecht’s drama and set in both the present day and the distant past, reflects two distinct timelines. In the first act, a large two-level pavilion serves as the "Hunting Lodge," inhabited by people in modern clothing who discover an ancient Chinese game in the attic. This game acts as a bridge to the second act, where the pavilion transforms into the "Office of the Gods." From within, seated behind glass, the Gods manipulate the characters, who are now dressed in ancient Chinese costumes and performing scenes from Brecht’s The Good Person of Szechwan on the stage floor. In the second act, pagoda-style gazebos appear on both sides of the stage, where actors wait for their cues, allowing the audience to observe them throughout the performance.

A key element of the scenery in the second act is the airplane (the dream of pilot Yang Sun). The stage set features a stylized airplane model designed as an oversized wooden toy. The structure is suspended from the fly bars, with the hanging height changing throughout the performance; by the finale, the plane descends to the stage floor, and the hero boards it, preparing to fly away.